MDNA World Tour 2012 - Milan

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The Italian and foreign press has followed a common line in recent months: want to see at all costs Madonna ended the myth, the alleged sales flop MDNA's new album, then the "war" with Lady Gaga.


Of this story we've put a lid on it, ask yourself what is the label that distributes the two pop stars and in response you will get Interscope Records. That's right: both are distributed by the independent label giant Universal, which then runs around the World. Surely the two bright boy of pop they are making a killing.
Do not be surprised if Madonna then plays on the stage to the alleged plagiarism among Express Yourself and Born This Way, snapping a few stanzas of She's Not Me, Which devotes to the alleged rival.
Regarding the sales that critics have is X-rayed to make a distinction between Europe and the United States, where in the first case, the album still holds the top of the charts in America and has fallen below the top 100 positions on the Billboard Top 200 Albums. But are we sure can seriously affect the old and new fans?



Judging by the scenery of the San Siro public response is: MDNA likes and dislikes, we are here and the legend never dies.
Away from the controversy over the cost of tickets and the delay record in Rome (1 hour and 15 minutes) that Madonna herself has apologized to the audience of San Siro, renewing his love for our nation and pointing out the slogan Italians Do It Better ovation followed by the presence in the stadium was massive. Not really full house, but almost. Certainly the Prato area around the bridge of triangular shape is the very sold-out. Surrounded by what I call pleasantly rowdy I was able to explore every little humor.

Also for the second Italian round the wait has been frustrating. Takes the stage at 20 o'clock the DJ and producer Martin Solveig (author of the top songs of the album Give Me All Your Luvin 'and Turn Up The Radio) is not immediately recognized.

Only after 45 minutes (again) to delay the start MDNA World Tour 2012 in Milan.


The live show is divided into four parts, almost like a play, which starts with an "Opening" gloomy atmosphere, "Prophecy" dedicated to acoustic performance the most, "Male / Female" where he returned to play on the ambiguity that has both distinguished his character and career of thirty years in the final act "Redemption" in the middle atmosphere of religious choirs, ethnic, and of course the fans in the wake of the most famous songs.
Few innovations compared to previous Italian tour. Another feature is the game of video clips made specifically for the concert and often used as background to the performance or costume changes where the dancers steal the show.







We deliver mainly a Madonna-style version of Dietrich in black and white, his face changed to collage with parts of the mighty of the earth.
As always in times for Madonna prefers to dance ballet shoes hanging in favor of the guitar, with Masterpiece (the hustler who is forgiven promo for the movie soundtrack which WE)
and Turn Up The Radio. But the performance is not convincing, as it is clear to everyone that Madonna can not play the guitar.
Two revelations for the new tour: the son Rocco as a dancer and the Basque band unpublished Kalakan.

True moments of great entertainment: the triumphal entry into the scene with the confessional, the hotel room where Madonna version of Tarantino's Kill Bill is out of the Bang Gang of dancers to the tune of the title track.
And it is the much revered dancers to look where the intermezzo is played Best Friend, with giant screens projecting coffins and cemeteries, quite disconnected to the song.

The schedule favors the songs on the new album and classics most popular, where, however, is unconvincing Like A Virgin. Woe to overturn the song over and whistled by Madonnari, the 5 minute performances were at risk of being boring. 
Luckily he managed to tear a smile, the dancer is not able to hook the corset of the body.
To close the concert Celebration that does not seem to have left the madness of the last concerts.
Between high and low, the concert was enjoyable and again in the name of the singer's manic perfection that does not add new elements.










While the trade press will mainly emphasize the presence of VIP's for the evening Donatella Versace and Dolce & Gabbana.
Interesting is not it? 

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